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Architecture of Computing Systems: ARCS 2006: 19th International Conference, Frankfurt/Main, Germany, March 13-16, 2006, Proceedings

Identificadores:  ISBN 978-3-540-32765-3 (impreso) 978-3-540-32766-0 (en línea)

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Architecture of Computing Systems: ARCS 2007: 20th International Conference, Zurich, Switzerland, March 12-15, 2007. Proceedings

Identificadores:  ISBN 978-3-540-71267-1 (impreso) 978-3-540-71270-1 (en línea)

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Architecture of Modern Italy, The

Identificadores:  ISBN 978-1-56898-420-9 (impreso) 978-1-56898-631-9 (en línea)

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Architecture of Modern Italy, The

Identificadores:  ISBN 978-1-56898-436-0 (impreso) 978-1-56898-632-6 (en línea)

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Architecture of Network Systems

Identificadores:  ISBN 978-0-12-374494-4 (en línea)

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Network systems require technical skills in computer architecture, design methodologies, algorithm design, and networking. Architecture of Network Systems explains the practice and methodologies that will allow you to solve a broad range of problems in system design, including problems related to security, quality of service, performance, manageability, and more. Leading researchers Dimitrios Serpanos and Tilman Wolf develop architectures for all network sub-systems, bridging the gap between operation and VLSI. Discussing the major challenges in the design of networks and the architectures that have been developed, Serpanos and Wolf provide a systematic treatment of network architectures, from the basics to advanced topics.

  • This is the first book to provide comprehensive coverage of the technical aspects of network systems, including processing systems, hardware technologies, memory managers, software routers, and more.
  • Develops a systematic approach to network architectures, based on the OSI reference model, that is useful for practitioners at every level.
  • Covers both the important basics and cutting-edge topics in network systems architecture, including Quality of Service and Security for mobile, real-time P2P services, Low-Power Requirements for Mobile Systems, and next generation Internet systems.
libros

Architecture of the Ozarks, An: The Works of Marlon Blackwell

Identificadores:  ISBN 978-1-56898-488-9 (impreso) 978-1-56898-630-2 (en línea)

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Architecture, modernité, modernisation

Identificadores:  ISBN 9782213702209 (impreso) 9782722604636 (en línea)

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Architekten-und Designer-Ehepaar Jacques und Jacqueline Groag

Identificadores:  ISBN 9783205773009 (impreso)

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This manuscript is based on the results of a research project (No. 7726), carried out at the Institute for the History of Art (University of Vienna) under the direction of Professor Dr. Peter Haiko, and sponsored by the Jubilee Funds of the Austrian National Bank. The artists Jacques Groag (b. Olomouc, February 5, 1892, d. London, January 26, 1962) and his wife Jacqueline (née Hilde Blumberger, b.Prague, April 6, 1903, d. London, January 13, 1986) belong to those representatives of the Viennese Modernists between the two World Wars who are now forgotten, due to the fact that, being Jews, they were forced to emigrate in 1938. In the early phase of his career Jacques Groag worked as an assistant and executing architect for Adolf Loos (Moller house, 1927) and Ludwig Wittgenstein (Wittgenstein house, 1928) and co-operated with the interior designers Friedl Dicker and Franz Singer (Heller tennis club house, 1928). After that, in independent practice he realized a considerable number of remarkable architectural projects in Vienna and native Moravia (now Czech Republic), among others a pair of semi-detached houses at the Werkbundsiedlung, a house for the actress Paula Wessely, a country house for the industrialist Otto Eisler, several houses for other private clients, but also industrial buildings. At this time he was regarded as one of the most important followers of Adolf Loos. He also enjoyed remarkable success as a designer of interiors, and was befriended to many Viennese artists such as the painters Sergius Pauser and Josef Dobrowsky, the sculptor Georg Ehrlich and the photographer Trude Fleischmann. His wife Jacqueline, a student of Franz Cizek and Josef Hoffmann at the Wiener Kunstgewerbeschule, between the wars was active as a designer of textiles for the Wiener Werkstätte and for fashion houses in Paris. After the couple's emigration to England in 1939 Jacques Groag could only find commissions as a designer of interiors and furniture, but found no opportunity to realize architectural projects. As a team, Jacques and Jacqueline made important contributions to prominent exhibitions on British design in the post-war period. Jacqueline, who outlived her husband for more than twenty years, continued her career as a successful textile designer until her late age.
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Architektur immaterieller Arbeit

Identificadores:  ISBN 9783851327052 (impreso)

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The book takes up the (post-)operaist concept of immaterial labour (cf. Maurizio Lazzarato: 1998, Toni Negri, Michael Hardt: 2000) and relates it to spatial processes and architectural projects from the 1960s. The book’s title is the hypotheses of its investigation. It allows to be exemplified with the following questions: Do we find, parallel to a dominant cultural practice of immaterial labour new forms and orders of architecture? Which forms does it take on? Or does workplace architecture disappear at all parallel to the blurring of the formerly clearly marked spaces of the factory?
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Architekturzeichnungen der deutschen Renaissance: Funktion und Bildlichkeit zeichnerischer Produktion 1500–1650

Identificadores:  ISBN 9783946198048 (impreso) 9783946198062 (en línea)

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ation such as the registry, the library, and the armoury, but also in the Cabinet of Curiosities, or in the architect’s personal archive. Even with only a small number of known approaches theorizing architectural drawings and design practices during the 16th century, it is possible to reveal a broad influence on drawing theories, especially by perspective treatises and the so-called »Visier- und Messkunst« (measuring). Reconstructing the various places of producing, collecting, displaying, and studying architectural drawings shows that architectural drawings were a crucial part in cultural processes of understanding, organizing, and dealing with the built environment.