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Album

Identificadores:  ISBN 9783835311749 (impreso)

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The twenty-tow contributions in this transnational and interdisciplinary volume delve into the material, symbolic and aesthetic dimensions of the album format using approaches from the fields of cultural studies, literary studies and media studies. This Publication unites perspectives from English, American, German, Romance, Slavic, archive and film studies, history, art history, musicology and philosophy to explore this culturally significant ‚networking’ medium.The starting point for all of the contributions in the publication is the album format, which, with ist inscriptions and non-verbal semantics, can integrate, represent and symbolically reproduce all forms of media and culture. The volume’s main interest is the interconnectedness: The album has the innate abily to unify the most diverse subject areas. Representation, mobility, migration and memory, multiculturalism and the formation of communities, materiality and the culture of things, the discourse of friendship, family history, generational narratives, and transmedia experimentation in remolding genres and art forms all have a place in the album, as it can transform anything into one coherent aesthetic system.
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Alessandro Baudi di Vesme e la scoperta dell'arte in Piemonte

Identificadores:  ISBN 9788867053827 (impreso)

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Alexander Kluge: Raw Materials for the Imagination

Identificadores:  ISBN 978-9-08964-273-8 (impreso) 978-9-04851-339-0 (en línea)

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Alexander Kluge: Raw Materials for the Imagination

Identificadores:  ISBN 9789089642721 (impreso)

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Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in English - comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those interested in exploring the intersections between art, politics, and social change.
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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91

Branislav Jakovljevic
Identificadores:  ISBN 978-0-47207-314-6 (impreso) 978-0-47290-058-9 (en línea)

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In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official" or “dissident" art; and shows that the break up of Yugoslavia was not a result of “ancient hatreds" among its peoples but instead came from the distortion and defeat of the idea of self-management. The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.
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Allegorie der Austria, Die

Identificadores:  ISBN 9783205775805 (impreso)

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The intention of this paper is to give a correct inside in the review of the discussed periods. It tries to achieve this by using the means of Art History and Political History to get an exact inside. The allegorical representation of the Austria in this case is the means to get it. It stands for the specific aspects of the time, so for instance the dynastic Austria with the crown of Emperor Rudolph II. meaning the predominance of the ruling Habsburgs, the civic Austria with the mural crown showing the ideas of the middle class, especially in the German speaking parts of the country, with the acceptance of the predominance of the state over the ruler, according to Hegel, or also the victorious Austria with the laurel wreath as a symbol of the conquest of the revolution of 1848. The Habsburg monarchy including many different nations was the proper breeding ground of dissatisfaction and diversified nationalistic ideas. So the representation of the Austria is an important means of showing these ideas. The periods the paper is working on are roughly speaking starting with the time of the beginning of the position of the monarchy as one of the ruling powers of Europe until her dissolution and the end of World War I. Different aspects of art history are also dealt with. So for example the 13 portraits of Habsburg rulers in the Museum Nordico at Linz, which are positioned in the time of Rudolph II. and mark the beginning of the representation of the allegory of the Austria, or the designs for monuments by Otto Wagner which are dealt with in the many books on this architect only as a side issue, whereas they are a very important part of wagners work and show his national feelings, towards his fatherland. It is furthermore interesting to look at the nationalistic problems shown in this paper and compare them with contemporary Europe and the overcoming of them. These ideas are not new, the date back to the 19th and especially the beginning of the 20th century when the Monarchy tried to overcome the problems with the slogan of Großösterreich (Greater Austria). During World War one followed the idea of Mitteleuropa (Central Europe) including Turkey and the institution of a Polish State to hold off revolutionary Russia
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Allegorische Andachtsbücher in Antwerpen-Jan Davids Texte und Theodoor Galles Illustrationen in den jesuitischen Buchprojekten der Plantiniana

Identificadores:  ISBN 9783863952341 (impreso)

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Die bei Plantin-Moretus um 1600 in Antwerpen gedruckten, von Jan David SJ verfassten und durch Theodoor Galle aufwendig illustrierten Andachtsbücher werden erstmals vollständig und systematisch, unter Berücksichtigung der Texte und zugehöriger Bilder, vorgestellt und untersucht. Deren komplexe Kupfersticherfi ndungen sind nicht - wie bislang angenommen - Emblemvarianten, sondern stellen ein gänzlich anders funktionierendes System der Text- und Bild-Synthese dar. Der jeweiligen Andachts-, Erbauungs- oder Lehrfunktion entsprechend verbildlichen die Kupferstiche Allegorisierungen moralischer und religiöser Didaxe, bildinterne Lettern und beigefügte Erläuterungen erschließen Inhalte und stellen den Bezug zu den verbildlichten Texten her. Analyse der unterschiedlichen Text-Bild-Verschränkungen in den vier Büchern, Herleitung der Buchstabenverweissysteme, buchgeschichtliche Einordnung, Entstehungsumstände, Konzeptionsgeschichte, funktionale Bestimmungen und Rezeptionen der Bücher und Bilder werden umfassend geklärt. Neben Veridicus Christianus (1601), Occasio Arrepta Neglecta (1605), Paradisus Sponsi et Sponsae (1607) und Duodecim Specula (1610) wurde auch das umfangreiche und viel rezipierte, von Boetius a Bolswert illustrierte Via Vitae Aeternae (1620) des Antoine Sucquet SJ ausführlich behandelt.
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Allemaal beestjes. Mortaliteit en morbiditeit in Vlaanderen, 18de-20ste eeuw

Identificadores:  ISBN 9789038209043 (impreso)

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This book treats the spectacular rise in life expectancy during the last three centuries. It is the first study to bring together both published and unpublished material about the history of the health of Belgian men and women and to analyze it critically. Isabelle Devos studies the mechanisms of the historic fall in the death rate in an original manner and answers the question why research on the causes of this decline has not progressed faster. While the discipline of historical demography orients the first part of her book, the discipline of historical epidemiology provides the perspective taken in the second part, in which the role of insects as spreaders of disease is explored. Essential in her study is the importance of local medical practitioners who already at the end of the Ancien Régime warned of the dangers present in the environment. Their ‘ecological’ thinking created a consciousness that was decisive for the further development of healthcare.
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Alor-Pantar languages, The: History and typology

Identificadores:  ISBN 9783944675480 (impreso)

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The Alor-Pantar family constitutes the westernmost outlier group of Papuan (Non-Austronesian) languages. Its twenty or so languages are spoken on the islands of Alor and Pantar, located just north of Timor, in eastern In- donesia. Together with the Papuan languages of Timor, they make up the Timor-Alor-Pantar family. The languages average 5,000 speakers and are under pressure from the local Malay variety as well as the national lan- guage, Indonesian. This volume studies the internal and external linguistic history of this interesting group, and showcases some of its unique typological features, such as the preference to index the transitive patient-like argument on the verb but not the agent-like one; the extreme variety in morphologi- cal alignment patterns; the use of plural number words; the existence of quinary numeral systems; the elaborate spatial deictic systems involving an elevation component; and the great variation exhibited in their kinship systems. Unlike many other Papuan languages, Alor-Pantar languages do not ex- hibit clause-chaining, do not have switch reference systems, never suffix subject indexes to verbs, do not mark gender, but do encode clusivity in their pronominal systems. Indeed, apart from a broadly similar head-final syntactic profile, there is little else that the Alor-Pantar languages share with Papuan languages spoken in other regions. While all of them show some traces of contact with Austronesian languages, in general, borrow- ing from Austronesian has not been intense, and contact with Malay and Indonesian is a relatively recent phenomenon in most of the Alor-Pantar region.
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Alte Aula der Universität Heidelberg, Die

Identificadores:  ISBN 9783946054115 (impreso) 9783946054108 (en línea)

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Heidelberg University; History; Art