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The project "Almeno una stella" ("At least one star") is a network of welcome and accompaniment for teen immigrants, which are supported by tutors (the "stars" of the title) chosen among university young students. Many tutors has foreign origin and a past of migration in common with the boys that accompany. The project was experienced in six different territories: Milan (lead city), Turin, Bologna, Arezzo, the province of Trento, Friuli. The text describes the project, its protagonists and its local variations.

The volume entails a collection of contributions by leading scholars (Raymond Bryant, Michael K. Goodman, Benjamin Huybrechts, Andrew E.G. Jonas, Roger Lee, Peter North, and Katinka Weber) concerned with alternative modes of economic and social exchange. The cases addressed in these contributions – including credit unions, alternative currencies, sustainable consumption, and social enterprises – deliver valuable insights into how such alternatives are performed at various scales and spaces in relation to and beyond the economic mainstream. In sum, the collection provides vital grounds for both a transition of the economic system towards a more sustainable one, and a reconceptualisation of the economic itself in our scholarly thinking and everyday lives.

Hugh Dempsey has for decades been one of Alberta's most prolific and influential public historians. Author of more than twenty books, he has also been "in on the ground floor" of the development of many key Alberta institutions, including the Indian Association of Alberta, the Historical Society of Alberta, and most importantly, the Glenbow Museum. Now, in his own words, he recounts his interesting and varied careers as journalist, government publicity writer, popular historian, archivist and museum administrator, speaker, and lecturer. Beginning with a compelling account of his childhood in Edmonton in the 1930s when his family was for a time on relief during the Depression and his 1940s teenage escapades hitchhiking across the continent, Dempsey's narrative moves into the frenetic world of post-war urban journalism. A fateful chance assignment as a reporter for the Edmonton Bulletin in February 1950 led to his involvement with the fledgling Indian Association of Alberta, its secretary John Laurie, president James Gladstone, and Gladstone's daughter Pauline, whom Dempsey would eventually marry. This in turn led to a strong interest in First Nations culture and biography through which Dempsey was able to combine oral history with scholarly records to produce historical writing with a broad popular appeal. During the 1950s, Dempsey helped design early provincial historical recognition programs and began his lifelong involvement with the Historical Society of Alberta. In 1956 he joined the Glenbow Foundation (later Glenbow Museum), where for the next thirty-five years he would play a crucial part in its growth and reputation for excellence, designing and managing the Glenbow Archives and eventually serving as Acting Director of the Museum before retiring in 1991. Written with the trademark Hugh Dempsey eye for detail and lively anecdote, this memoir will be essential and enjoyable reading for anyone interested in western and First Nations history and the growth of key Alberta cultural institutions.

The authors of this book challenge the view that was current among many people in the Netherlands during the period 1945-1949 that the American government and its foreign policymakers unequivocally backed the Indonesian Republic's struggle for independence. The same myth of America's political endorsement of Indonesians' quest for independence continues to reverberate in the United States itself. In fact, ex-President Clinton repeated the story as recently as 1995 when he wrote to ex-President Suharto that in the post-World War II era, President Truman and the U.S. Congress had actively supported Indonesia 'as the nation was being born'. On the basis of research in American, Indonesian, Dutch, and Australian diplomatic records and in the archives of the United Nations, Gouda and Brocades Zaalberg describe and analyze American visions of the Dutch East Indies/Indonesia from the 1920s to December 1949, when the Kingdom of the Netherlands relinquished its sovereignty over the archipelago in southeast Asia to the United States fo Indonesia. Their historical analysis suggests that the American diplomatic establishment was not as ignorant of conditions in the Indonesian archipelago as many Dutch people assumed, both before and after World War II. They also chronicle the unfolding of America's steady but tactic backing of its faithful Dutch ally in northern Europe until early 1949, when U.S. assessments of the regions in the world where the Cold War might ignite into a 'Hot War' began to incorporate the anti-colonial, nationalist struggles in Indonesia and Vietnam.