Catálogo de publicaciones

Following the Fukushima nuclear accident, a large volume of monitoring data has been collected about the soil, air, dust, and seawater, along with data about an immense number of foods supplied to the market. Little is known, however, about the effect of radioactive fallout on agriculture, information about which is vital. Although more than 80% of the damaged area is related to agriculture, in situ information specifically for agriculture is scarce. This book provides data about the actual movement and accumulation of radioactivity in the ecological system—for example, whether debris deposited on mountains can be a cause of secondary contamination, under what conditions plants accumulate radioactive cesium in their edible parts, and how radioactivity is transferred from hay to milk. Because agriculture is so closely related to nature, many specialists with different areas of expertise must be involved in answering these questions. In the case of rice, researchers in rice cultivation as well as in soil, hydrology, and radioactivity measurement are working together to reveal the paths or accumulation of radioactivity in the field. For this purpose, the Graduate School of Agricultural and Life Sciences of The University of Tokyo has diverse facilities available throughout Japan, including farmlands, forests, and meadowlands. Many academic staff members have formed groups to conduct on-site research, with more than 40 volunteers participating. This book presents the data collected from the only project being systematically carried out across Japan after the Fukushima accident.

The twenty-tow contributions in this transnational and interdisciplinary volume delve into the material, symbolic and aesthetic dimensions of the album format using approaches from the fields of cultural studies, literary studies and media studies. This Publication unites perspectives from English, American, German, Romance, Slavic, archive and film studies, history, art history, musicology and philosophy to explore this culturally significant ‚networking’ medium.The starting point for all of the contributions in the publication is the album format, which, with ist inscriptions and non-verbal semantics, can integrate, represent and symbolically reproduce all forms of media and culture. The volume’s main interest is the interconnectedness: The album has the innate abily to unify the most diverse subject areas. Representation, mobility, migration and memory, multiculturalism and the formation of communities, materiality and the culture of things, the discourse of friendship, family history, generational narratives, and transmedia experimentation in remolding genres and art forms all have a place in the album, as it can transform anything into one coherent aesthetic system.