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What will be the future role of hermeneutics in literary theory? Can we shape the future of hermeneutics by going back to its tradition and by looking at the way hermeneutics is relevant in other disciplines? The new issue of Cahier voor Literatuurwetenschap has two objectives. First, we wish to study the role of hermeneutics in other disciplines, such as the philosophy of history, theology, and the cognitive sciences. It will be clear that literary theory benefits from this interdisciplinary exercise. Second, we will have a closer look at the hermeneutical tradition in literary theory. Important chapters from the history of hermeneutics (e.g., Schleiermacher, Heidegger, Iser) are revisited and its influence in recent theoretical developments is considered.

El presente trabajo tiene por eje explorar problemas relacionados a la praxis en la enseñanza de las artes visuales, especialmente los vinculados con la crisis de los paradigmas pedagógicos , en la educación formal superior y vislumbrando la innovadora utilidad de técnicas grupales y psicodramáticas junto con propuestas de ejercicios facilitadores de la apertura expresiva. Se buscó generar un corpus crítico, orgánico, progresivo y múltiple de herramientas aplicables a la solución de los principales conflictos pasibles de suceder en el proceso de producción de proyectos artísticos personales. Este esfuerzo pretende en primer término plasmar un nuevo y mayor (esta tarea fue comenzada en mi trabajo de Maestría enfocándome entonces en cuestiones específicamente vinculares) aporte metodológico para la enseñanza proyectual originado en la práctica compartida durante los últimos veinte años en la Cátedra de Pintura, dirigida por el Licenciado Raúl Osvaldo Moneta Aller, intentando articularla con las experiencias inaugurales de Comunicación Grupal coordinadas por el Doctor Rolando César Varela, ambas de la Facultad de Bellas Artes de la Universidad Nacional de La Plata.

Hesperia is published quarterly by the American School of Classical Studies at Athens. Founded in 1932 and devoted primarily to the timely publication of reports on projects sponsored by the School, Hesperia also welcomes submissions from all scholars working in the fields of Greek archaeology, art, epigraphy, history, and literature. The geographic limits are those of the entire Greek world, with no chronological restrictions. Articles presenting primary research, interdisciplinary studies, theoretical discussions, and syntheses of topics and problems are all featured. Studies on the history and practice of archaeology and ethnography in the Mediterranean are also included. A 75-page limit currently exists for contributions. All submissions are refereed by at least two outside reviewers in a double-blind process. Articles accepted for publication appear roughly a year from the time of submission.

The Hesperia Supplement series presents book-length studies in the fields of Greek archaeology, art, language, and history. Originally designed to accommodate extended essays too long for inclusion in the journal Hesperia, the series was started in 1937. Since that date the Supplements have established a strong identity of their own, and are now recognized as one of the most prestigious publication venues in Greek studies. They range in format from single author monographs, through excavation reports, to major edited collections on topics of interest to researchers in classics, archaeology, art history, and Hellenic studies.

“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University

“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University

What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself.

The aim of Hiding Making - Showing Creation is twofold. In the first instance, we seek to trace the Nachleben of these studio topoi from the nineteenth century to today, in particular focusing on how artists have employed them as strategies for showing certain aspects of their practice (above all those which perpetuate the notions of artistic genius and autonomy), while carefully hiding others from view (routine, failure, craft). Secondly, in order to achieve these goals, we have adopted a method that we feel not only does justice to the richness and diversity of the topic but which, we believe, will add a new dimension to the already abundant and ever growing literature on the artist's studio.

En el siglo XXI, los hidrocarburos no convencionales cobran valor. En Argentina, su explotación comienza en la década de 2010. Los avances tecnológicos y el precio internacional del petróleo, a escala global; la abundancia de recursos y las necesidades energéticas a escala nacional, impulsan su desarrollo. Este contribuiría a que el país, recupere el autoabastecimiento energético. El Estado con nueva regulación, recuperando la participación pública en la empresa Yacimientos Petrolíferos Fiscales (YPF), otorgando incentivos a la actividad y concretando acuerdos de inversión con otras empresas petroleras, respalda el avance de las actividades. Actores nacionales y extranjeros, despliegan su juego a distintas escalas y viabilizan la explotación. Con YPF liderando las actividades, la producción nacional de petróleo y gas no convencional aumenta. La región Vaca Muerta se convierte en pionera en el desarrollo de los recursos no convencionales. Las dinámicas hidrocarburíferas y territoriales movilizan flujos materiales e inmateriales por diversos espacios. Las redes se expanden con nuevos proyectos de infraestructura. Las demandas de recursos naturales y servicios generan nuevas interacciones locales. Añelo se convierte en el epicentro de estos cambios, que provocan tensiones y sinergias territoriales. El Estado, en sus roles de inversor y planificador, trabaja para responder a las crecientes demandas socio-económicas y para reorientar el desarrollo territorial. Con las metamorfosis emergentes, el territorio neuquino se complejiza. Esta investigación plantea un acercamiento integral y multiescalar a los cambios en las redes energéticas y las transformaciones territoriales en Neuquén, a partir de la valorización de los hidrocarburos no convencionales en la década de 2010, en Argentina. Con un diseño descriptivo explicativo, se avanzó en análisis cualitativos, cuantitativos y espaciales. La recolección de información en trabajos de campo fue central, así como la explotación de sistemas de información geográfica y la confección de gráficos sintetizadores. La valorización de los hidrocarburos no convencionales en Argentina impacta en múltiples escalas y dimensiones. Comienza a revertir la curva de decrecimiento de la producción nacional de hidrocarburos, cubre déficits energéticos y se impulsan proyectos de exportación. Regionalmente obras de infraestructura, acompañan la redinamización de flujos. En el territorio neuquino, priman transformaciones socio-espaciales que hacen emerger disputas, a la vez que crean oportunidades. La construcción de un territorio equilibrado y sostenible a largo plazo se encontraría entre los desafíos pendientes.