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libros Acceso Abierto

Agriculture and Food Security in China: What Effect WTO Accession and Regional Trade Arrangements?

Identificadores:  ISBN 9781921313646 (impreso) 9780731538171 (en línea)

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China's accession to the World Trade Organization (WTO) has had profound consequences for the structure of its economy, and there will many more before the full benefits of an open trading regime will be realised. Agriculture and Food Security in China explains the background to China's WTO accession and links accession to reforms beginning as far back as 1979. The book highlights China's policymakers' decision to move away from protectionism and gain self-sufficiency, and illustrates how China's step away from direct participation in the agricultural sector to indirect regulatory involvement and liberalisation could encourage further economic growth. Yet not all economic growth is cost-free. Agriculture and Food Security in China explores the short-term impacts of WTO accession as well as the mid and long-term implications of greater market involvement at an economy-wide and regional level. Growing divides between coastal and inland regions—and differences in rural and urban growth—will require a better understanding of the consequences of greater market dependency. Agriculture and Food Security in China adds to the existing knowledge of China's agricultural growth as well as the impacts and interrelationships between WTO accession and China's participation in other regional free trade agreements.
libros Acceso Abierto

Akademische Strenge und künstlerische Freiheit-die Gemälde des 19. Jahrhunderts in der Kunstsammlung der Universität Göttingen ; Bestandskatalog

Identificadores:  ISBN 9783863951023 (impreso)

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Die Kunstsammlung der Universität Göttingen ist vor allem für ihren Bestand an Niederländischer Kunst des 17. Jahrhunderts bekannt. Dass sie darüber hinaus auch eine Kollektion von Gemälden des 19. Jahrhunderts umfasst, die einige wirkliche Schätze enthält, gleicht einer Neuentdeckung. Diese Kollektion wird hier erstmals in einem eigenen Bestandskatalog vorgestellt. Obwohl es sich um eine eher kleine Sammlung handelt, erweist sich diese doch als erstaunlich repräsentativ, um das Kunstverständnis des 19. Jahrhunderts mit seinen wechselnden Prämissen sowie kunsttheoretischen und künstlerischen Auseinandersetzungen an konkreten Kunstwerken aufzuzeigen. Eine zentrale Rolle spielt dabei die Gattungstheorie: Die seit der Frühen Neuzeit vertretene Ausdifferenzierung der Malerei in profane und religiöse Historie, Genre, Landschaft, Stillleben, Tierstück und Porträt wurde über das gesamte 19. Jahrhundert hinweg kontrovers diskutiert, blieb aber als wertsetzendes System lange präsent. Der vorliegende, von Dozenten und Studierenden des Kunstgeschichtlichen Seminars der Universität Göttingen gemeinsam erarbeitete Bestandskatalog nutzt die Gattungstheorie als „roten Faden“, um eine historische Perspektive auf den Bestand der Gemälde des 19. Jahrhunderts in der Göttinger Universitätskunstsammlung anzubieten.
libros Acceso Abierto

Alberta Autophage, L': Identités, mythes et discours du pétrole dans l’Ouest canadien

Identificadores:  ISBN 9781552385777 (impreso) 9781552385791 (en línea)

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The stories of Alberta identity that evolved along with the development of the province's oil resources, over the course of Alberta's recent history, fuel this analysis of discourse. The author uses theories of discourse analysis to explore how the media in Canada and in Alberta have presented historical boom and bust phenomena in the oil industry, in particular, how the Canadian oil industry has built on characteristics of Alberta identity to create a close association of interests linking the Alberta community and oil producers. She draws on popular culture and classical literature to compare the discourse on energy in Quebec and Alberta.
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Alberto Martini (1931-1965)

Identificadores:  ISBN 9788867054206 (impreso)

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libros Acceso Abierto

Album

Identificadores:  ISBN 9783835311749 (impreso)

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The twenty-tow contributions in this transnational and interdisciplinary volume delve into the material, symbolic and aesthetic dimensions of the album format using approaches from the fields of cultural studies, literary studies and media studies. This Publication unites perspectives from English, American, German, Romance, Slavic, archive and film studies, history, art history, musicology and philosophy to explore this culturally significant ‚networking’ medium.The starting point for all of the contributions in the publication is the album format, which, with ist inscriptions and non-verbal semantics, can integrate, represent and symbolically reproduce all forms of media and culture. The volume’s main interest is the interconnectedness: The album has the innate abily to unify the most diverse subject areas. Representation, mobility, migration and memory, multiculturalism and the formation of communities, materiality and the culture of things, the discourse of friendship, family history, generational narratives, and transmedia experimentation in remolding genres and art forms all have a place in the album, as it can transform anything into one coherent aesthetic system.
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Alessandro Baudi di Vesme e la scoperta dell'arte in Piemonte

Identificadores:  ISBN 9788867053827 (impreso)

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libros Acceso Abierto

Alexander Kluge: Raw Materials for the Imagination

Identificadores:  ISBN 9789089642721 (impreso)

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Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in English - comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those interested in exploring the intersections between art, politics, and social change.
libros Acceso Abierto

Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91

Identificadores:  ISBN 9780472900589 (impreso)

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In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed between the democratization of the arts and industrial democracy, resulting in a culture difficult to classify. The book challenges the assumption that the art emerging in Eastern Europe before 1989 was either “official" or “dissident" art; and shows that the break up of Yugoslavia was not a result of “ancient hatreds" among its peoples but instead came from the distortion and defeat of the idea of self-management. The case studies include mass performances organized during state holidays; proto-performance art, such as the 1954 production of Waiting for Godot in a former concentration camp in Belgrade; student demonstrations in 1968; and body art pieces by Gina Pane, Joseph Beuys, Marina Abramovic, and others. Alienation Effects sheds new light on the work of well-known artists and scholars, including early experimental poetry by Slavoj Žižek, as well as performance and conceptual artists that deserve wider, international attention.
libros Acceso Abierto

Allegorie der Austria, Die

Identificadores:  ISBN 9783205775805 (impreso)

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Cobertura temática

The intention of this paper is to give a correct inside in the review of the discussed periods. It tries to achieve this by using the means of Art History and Political History to get an exact inside. The allegorical representation of the Austria in this case is the means to get it. It stands for the specific aspects of the time, so for instance the dynastic Austria with the crown of Emperor Rudolph II. meaning the predominance of the ruling Habsburgs, the civic Austria with the mural crown showing the ideas of the middle class, especially in the German speaking parts of the country, with the acceptance of the predominance of the state over the ruler, according to Hegel, or also the victorious Austria with the laurel wreath as a symbol of the conquest of the revolution of 1848. The Habsburg monarchy including many different nations was the proper breeding ground of dissatisfaction and diversified nationalistic ideas. So the representation of the Austria is an important means of showing these ideas. The periods the paper is working on are roughly speaking starting with the time of the beginning of the position of the monarchy as one of the ruling powers of Europe until her dissolution and the end of World War I. Different aspects of art history are also dealt with. So for example the 13 portraits of Habsburg rulers in the Museum Nordico at Linz, which are positioned in the time of Rudolph II. and mark the beginning of the representation of the allegory of the Austria, or the designs for monuments by Otto Wagner which are dealt with in the many books on this architect only as a side issue, whereas they are a very important part of wagners work and show his national feelings, towards his fatherland. It is furthermore interesting to look at the nationalistic problems shown in this paper and compare them with contemporary Europe and the overcoming of them. These ideas are not new, the date back to the 19th and especially the beginning of the 20th century when the Monarchy tried to overcome the problems with the slogan of Großösterreich (Greater Austria). During World War one followed the idea of Mitteleuropa (Central Europe) including Turkey and the institution of a Polish State to hold off revolutionary Russia
libros Acceso Abierto

Allegorische Andachtsbücher in Antwerpen-Jan Davids Texte und Theodoor Galles Illustrationen in den jesuitischen Buchprojekten der Plantiniana

Identificadores:  ISBN 9783863952341 (impreso)

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Die bei Plantin-Moretus um 1600 in Antwerpen gedruckten, von Jan David SJ verfassten und durch Theodoor Galle aufwendig illustrierten Andachtsbücher werden erstmals vollständig und systematisch, unter Berücksichtigung der Texte und zugehöriger Bilder, vorgestellt und untersucht. Deren komplexe Kupfersticherfi ndungen sind nicht - wie bislang angenommen - Emblemvarianten, sondern stellen ein gänzlich anders funktionierendes System der Text- und Bild-Synthese dar. Der jeweiligen Andachts-, Erbauungs- oder Lehrfunktion entsprechend verbildlichen die Kupferstiche Allegorisierungen moralischer und religiöser Didaxe, bildinterne Lettern und beigefügte Erläuterungen erschließen Inhalte und stellen den Bezug zu den verbildlichten Texten her. Analyse der unterschiedlichen Text-Bild-Verschränkungen in den vier Büchern, Herleitung der Buchstabenverweissysteme, buchgeschichtliche Einordnung, Entstehungsumstände, Konzeptionsgeschichte, funktionale Bestimmungen und Rezeptionen der Bücher und Bilder werden umfassend geklärt. Neben Veridicus Christianus (1601), Occasio Arrepta Neglecta (1605), Paradisus Sponsi et Sponsae (1607) und Duodecim Specula (1610) wurde auch das umfangreiche und viel rezipierte, von Boetius a Bolswert illustrierte Via Vitae Aeternae (1620) des Antoine Sucquet SJ ausführlich behandelt.