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The colours of English alabaster panels: Medieval polychromy, production and perception

Parte de: PrimaLun@

Resumen/Descripción – provisto por la editorial

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Palabras clave – provistas por la editorial

Polychromy; reconstruction; sculpture; Middle Ages; alabaster; England; Christian devotion; digital restoration; physico-chemical analyses; micro-photography; experimental archaeology; 3D digitization; photogrammetry; optical measurements; facsimile; physical copy; painting techniques; pigments; gilding; symbolism of colours; medieval vision; perception criteria; aesthetic principles; patrons; Bordeaux; Libourne; Paris; Rabastens; Saint-Nicolas-du-Bosc; Nottingham; London