Catálogo de publicaciones - revistas
American Anthropologist
Resumen/Descripción – provisto por la editorial en inglés
American Anthropologist is the flagship journal of the American Anthropological Association. The journal advances the Association's mission through publishing articles that add to, integrate, synthesize, and interpret anthropological knowledge; commentaries and essays on issues of importance to the discipline; and reviews of books, films, sound recordings, and exhibits.Palabras clave – provistas por la editorial
No disponibles.
Disponibilidad
| Institución detectada | Período | Navegá | Descargá | Solicitá |
|---|---|---|---|---|
| No detectada | desde ene. 1888 / hasta dic. 2006 | JSTOR | ||
| No detectada | desde ene. 1888 / hasta dic. 2023 | Wiley Online Library |
Información
Tipo de recurso:
revistas
ISSN impreso
0002-7294
ISSN electrónico
1548-1433
Editor responsable
John Wiley & Sons, Inc. (WILEY)
País de edición
Estados Unidos
Fecha de publicación
1888-2006
Cobertura temática
Tabla de contenidos
doi: 10.1111/aman.13950
Heritage as new social engineering in China: (De)colonial avenues
Florence Graezer Bideau
; Pascale Bugnon
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13956
The legal limits of decolonizing heritage: Emancipation, the nation‐state, and racial capitalism in Brazil
Lucas Lixinski
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13955
“Heritage is about today, it's not about what happened in the past”: A conversation with Webber Ndoro, Director General of the International Centre for the Study of the Preservation and Restoration of Cultural Property
Webber Ndoro; Peter Bille Larsen
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13954
Decolonializing a museum of ethnography? A conversation with Carine Ayélé Durand, director of the Museum of Ethnography in Geneva
Carine Ayélé Durand; Peter Bille Larsen
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13953
“It comes down to dealing with people”: A conversation with Brennen Ferguson, Haudenosaunee Confederacy
Brennen Ferguson; Peter Bille Larsen
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13967
Mockery amid shooting: Laughter as an expression of expertise at a public clinic in Greater Rio de Janeiro, Brazil
Pedro Silva Rocha Lima
<jats:title>Abstract</jats:title><jats:p>Laughter is one of the “weapons of the weak,” a means of degrading those in a position of power. Seeing laughter as such, however, only offers a view into what the performance does to its target, by belittling it, without saying much about what it does to the performer within a given power relation. This article investigates the potential of mockery and laughter to become expressions of expertise when they establish the performer as a knowing subject in relation to their target. Based on fieldwork conducted at a public clinic in Duque de Caxias, Brazil, this article analyzes how locally resident staff, through their extended work and dwelling in a neighborhood where shootings are frequent, mocked their superiors who did not know how to appropriately assess and react to the sound of shooting. By establishing the performer as the knowing subject in relation to those being mocked, laughter in this setting had the potential to unsettle classed hierarchies of knowledge.</jats:p>
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13957
Heritages of (de)colonialism: Reflections from the Pacific Northwest Coast, Canada
Bryony Onciul
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13949
Heritage and decoloniality: Reflections from Sri Lanka—A conversation
Hasini Haputhanthri; Gill Juleff; Thamotharampillai Sanathanan
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13961
FandangObon: Amplification, counter‐publics, and fugitive spaces of belonging in Los Angeles
George Lipsitz
<jats:title>Abstract</jats:title><jats:p>The festive celebration known as FandangObon is made possible by workshops and satellite performances that artivistas (art activists) stage throughout the year in a variety of community venues. The event transforms the annual Japanese American Buddhist Obon ceremony honoring ancestors into an antiracist polycultural performance. Through improvisation and invention, colorfully adorned participants blend the dances, songs, and costumes of the Japanese bon odori circle with Mexican son jarocho fandango practices and West African ballet and egungun drum and dance circles. Each of the groups represented in FandangObon brings to the mix its own form of circle dancing, collective singing, and instrument playing, yet bon odori, fandango, and egungun do not fuse together seamlessly in these gatherings. Instead they coalesce as a conversation among equals in which each tradition remains faithful to itself in the process of making changes through engagement with others The concepts of amplification, counterpublics, and fugitive spaces of belonging serve in this article as central interpretive frames of a cultural critique of the historical and cultural conditions for the celebration's emergence, articulation, and implementation (Marcus and Fischer 1986).</jats:p>
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible
doi: 10.1111/aman.13951
Introduction ‐ The heritage and decoloniality nexus: Global exchanges and unresolved questions in sedimented landscapes of injustice
Marisa Lazzari; Peter Bille Larsen; Francesco Orlandi
Palabras clave: Arts and Humanities (miscellaneous); Anthropology.
Pp. No disponible