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Art of Fugue: Bach Fugues for Keyboard, 1715–1750

Joseph Kerman;

Acerca de (en inglés)

Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues -some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues from The Well-Tempered Clavie - C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland, BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Temáticas
Music;

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Información

Tipo: libros

ISBN impreso

9780520962590

ISBN electrónico

978-0-52096-259-0

Editor responsable

University of California Press

País de edición

Estados Unidos

Fecha de publicación

Información sobre derechos de publicación

Licencia Creative Commons Atribución- NoComercial- SinDerivadas

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