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Palabras clave – provistas por la editorial

Petr Miturich; Velemir Khlebnikov; Vera Khlebnikova; Georgii Krutikov; Nikolai Punin; Igor’ Sikorsky; Vladimir Tatlin; Fridrikh Tsander; Konstantin Tsiolkovsky; aeronautics; letun; Letatlin; volnovik; “First Universal Exhibition of Models of Interplanetary Apparatuses and Mechanisms Gadgets and Historical Materials” (Moscow 1927); 1905 Revolution; Nikolai II; Neo-Primitivism; realism; World of Art; satirical journals; Valentin Serov; Mikhail Larionov; Natalia Goncharova; Russian modernism; art historical hermeneutics; compelling visualities; embodied sexualities; Steinberg; non-conformist art; metaphysics of the presence; ontology of traces; apophatic vision; symbolism; “nvisible painting”; Veisberg; Suprematism; Malevich; metageometry; icon painting; V. Chekrygin; cosmism; anthropology; new man; Russian art; N. Fyodorov; Vlad Mamyshev-Monroe; trickster; camp; drag; photo art; impersonation; Moscow conceptualism; material object; dematerialization; Nest; metaphor; byt; Victor Skersis; Yuri Albert; Vadim Zakharov; Nadezhda Stolpovskaya; Vitaly Komar; Alexander Melamid; Joseph Kosuth; Bierce; Nabokov; narrative; visual image; painting; poetics; determinism; Hedwig Fechheimer; ancient Egypt; sphinx; Sergei Eisenstein; October; film; avant-garde; historicity; advertising; semiotics; design; visual; sex; narcissism; poetry; mirror; classical; Russian; self-portrait; selfie; Russian Avant-garde; Russian Neo-avant-garde; Aleksei Kruchenykh; Sergei Sigei; transfurism; Andrei Bely; Aleksandr Golovin; Samuil Alyanski; the publishing house Alkonost; the journal Notes of Dreamers; Modernism; Symbolism; Anthroposophy; Hortus mirabilis; visual poem; poetic garden; picture of garden; Polish contemporary poetry; Krystyna Miłobędzka; rose; calligram; avant-garde poem; visual art; Russian avant-garde; prognostic function; violence; archaic stereotypes; totalitarian terror; El Lissitzky; cultural heritage; art education; curatorial practice; dazzle; kilim; missile; mourning; photocarpet; power; Soviet; Ukraine; Sen-Senkov A.; Deleuze G.; visual poetry; Magritte R.; rhizome; global poetics; Russian Golden Age poets; Batiushkov; art criticism; Russian Academy of Arts; Russian painters in Rome; early art brut painting; Slavic and Russian modernism; life-creation; self-fashioning; icons; Hesychasm