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The Virgin Mary in the Middle Ages and the Renaissance: The Virgin Mary in the Middle Ages and the Renaissance

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Palabras clave – provistas por la editorial

Mariology; Marian iconography; Mary’s divine motherhood; Annunciation; theological sources; doctrinal symbol; John Duns Scotus; medieval theology; God’s eternal plan; the dogma of the Immaculate Conception; Virgin Mary; free will; Thomism; Camino de Santiago; medieval pilgrimage; cult of saints; Mozarabic rite; chant; responsory; sequence; Sainte-Foy at Conques; relief sculpture; divine motherhood; perpetual virginity; liturgical hymns; Renaissance art; virtues; virginity; medieval women; liturgy; medieval music; medieval art; Hildegard of Bingen; Scivias; Christianity; Christology; Martin Luther; justification; theology of the Cross; suffering; iconography; Lucas Cranach the Elder; St. Bernard of Clairvaux; mariology; beauty; medieval aesthetics; medieval philosophy; Dormition of the Theotokos; Dormition iconography; mandorla; Glory of God; Byzantine art; post-Byzantine art; the Virgin of the Girdle; troper-proser; liturgical song; medieval devotion; miracles; Tortosa; annunciation; erotic symbolism; mystical wedding; political theology; sacred play; Nursing Madonna; Madonna of Humility; Eve; Mary; breastfeeding; redemption; Marian miracles; Gautier de Coinci; Illuminated Manuscripts; miraculous images; medieval visual culture

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