Catálogo de publicaciones - revistas
Architectural Design
Resumen/Descripción – provisto por la editorial
No disponible.
Palabras clave – provistas por la editorial
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Disponibilidad
| Institución detectada | Período | Navegá | Descargá | Solicitá |
|---|---|---|---|---|
| No detectada | desde ene. 2005 / hasta dic. 2023 | Wiley Online Library |
Información
Tipo de recurso:
revistas
ISSN impreso
0003-8504
ISSN electrónico
1554-2769
Editor responsable
John Wiley & Sons, Inc. (WILEY)
País de edición
Estados Unidos
Fecha de publicación
2011-
Cobertura temática
Tabla de contenidos
doi: 10.1002/ad.3000
The Anti‐Metaverse: Multispace and the Intersections of Reality
Micaela Mantegna; Marcelo Rinesi
<jats:title>Abstract</jats:title><jats:p>Virtual spaces offer the incredible mix of opportunities and risks that are only available when designing a new universe (almost) from scratch. Arguing that these spaces are just as real as the ‘real world’, <jats:bold>Micaela Mantegna and Marcelo Rinesi</jats:bold> point out that architects are obligated to share their intellectual and visualising skills beyond the discipline to give more of humanity the possibility of operating in their own multispatial environments, and in so doing taking the legislation of space away from the neoliberal few.</jats:p>
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 104-111
doi: 10.1002/ad.3001
All At Once – From Zoom Fatigue to Immersive Digital Experiences: Why Architecture Must Adapt
Sasha Belitskaja
<jats:title>Abstract</jats:title><jats:p>The constellation of digital techniques, software, visual and haptic prosthetics is growing exponentially by the day. Such innovations allow all manner of choreographed synthesis between the world we see, unaugmented, and the world we experience through our devices. With her practice iheartblob, <jats:bold>Sasha Belitskaja</jats:bold> makes Surrealist architectonic interventions and installations that straddle the virtual/ actual divide, using the best of both worlds.</jats:p>
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 112-121
doi: 10.1002/ad.3002
Shifting Contexts: Liam Young's Prototypes of Architectural Futures
Owen Hopkins
<jats:title>Abstract</jats:title><jats:p>Digital technologies and visualisation techniques are changing the site(s) of architecture, as well as the notion of context and how architecture responds to it. In an interview with Guest‐Editor <jats:bold>Owen Hopkins</jats:bold>, architect and filmmaker Liam Young discusses the shifting nature of ‘site’, architecture's possible futures and the centrality of speculation for the profession.</jats:p>
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 122-127
doi: 10.1002/ad.3003
The Haçienda Must Be Built
Neil Spiller
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 128-133
doi: 10.1002/ad.3004
Contributors
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 134-135
doi: 10.1002/ad.3005
Backlist Titles
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 136-136
doi: 10.1002/ad.3027
Imprint Page/Contents
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 1-4
doi: 10.1002/ad.3028
About the Editors
Neil Spiller; Aleksandra Wagner
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 5-5
doi: 10.1002/ad.3029
A Fecund Lucidity: Spadework for a Palace
Neil Spiller; Aleksandra Wagner
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 6-13
doi: 10.1002/ad.3030
Self‐Portrait with Burned Weapon: The Wound That Does Not Heal
Mark Dorrian
<jats:title>Abstract</jats:title><jats:p>Setting aside organic metaphors of growth and maturation, architect and author <jats:bold>Mark Dorrian</jats:bold> addresses the ‘early work’ by attending to Lebbeus Woods's descriptively yet evocatively named Black Notebooks. Turning his mind's eye to the Notebooks as a record of the interior struggles of their author – as spiritual diaries – he takes on the symbolism of the wound that must be suffered, and finds much that sheds light on the younger Woods and on his lasting ambitions for architecture.</jats:p>
Palabras clave: Visual Arts and Performing Arts; Architecture.
Pp. 14-21