Catálogo de publicaciones - revistas
19th-Century Music
Resumen/Descripción – provisto por la editorial en inglés
19th-Century Music publishes articles on all aspects of music having to do with the "long" nineteenth century. The period of coverage has no definite boundaries; it can extend well backward into the eighteenth century and well forward into the twentieth. Published tri-annually, the journal is open to studies of any musical or cultural development that affected nineteenth-century music and any such developments that nineteenth-century music subsequently affected. The topics are as diverse as the long century itself. They include music of any type or origin and include, but are not limited to, issues of composition, performance, social and cultural context, hermeneutics, aesthetics, music theory, analysis, documentation, gender, sexuality, history, and historiography.Palabras clave – provistas por la editorial
No disponibles.
Disponibilidad
| Institución detectada | Período | Navegá | Descargá | Solicitá |
|---|---|---|---|---|
| No detectada | desde jul. 1977 / | JSTOR |
Información
Tipo de recurso:
revistas
ISSN impreso
0148-2076
ISSN electrónico
1533-8606
Editor responsable
University of California Press
País de edición
Estados Unidos
Fecha de publicación
1977-
Cobertura temática
Tabla de contenidos
High Anxiety: New Venues, New Audiences, and the Fear of the Popular in Late Imperial Russian Musical Life
Lynn M. Sargeant
<jats:title>Abstract</jats:title> <jats:p>Russia's social and economic transformation at the beginning of the twentieth century was accompanied by profound cultural and artistic transformation. In particular, Russian cultural elites struggled to control and contain what they saw as threats to Russia's national culture. At the same time, however, they sought ways to bring the working classes into a closer cultural accord with educated society. Although these efforts continued a long process of intelligentsia efforts to shape Russian society by controlling the development of “the people,” industrialization and urbanization had already begun to fundamentally restructure the relationship between the educated and popular classes.</jats:p> <jats:p>In musical life, the intelligentsia struggled with two somewhat contradictory impulses: first, to simultaneously protect musical and song traditions from the threat of contamination by new urban genres; and second, to develop “rational recreations” that would appeal to the peasantry and the urban working classes. To those ends, they created, among other activities, accessible (obshchedostupnyi) concerts, temperance choirs, and singing classes in a wide variety of locations across the Russian Empire. These musical projects were part of a much larger, somewhat utopian effort by educated society to create an ideal Russia by eliminating its supposed social, cultural, economic, and political backwardness relative to Western Europe. Nevertheless, the consequences for Russian musical life proved significant. Not only did these efforts lay the moral and intellectual foundation for Soviet-era interventionist and utopian cultural policies, but they also in the short term significantly diversified and democratized musical life in the last decades of tsarist rule.</jats:p>
Palabras clave: Music.
Pp. 93-114
A Ukrainian Tune in Medieval France: Perceptions of Nationalism and Local Color in Russian Opera
Marina Frolova-Walker
Palabras clave: Music.
Pp. 115-131
Non-Nationalists and Other Nationalists
Richard Taruskin
<jats:title>Abstract</jats:title> <jats:p>We have discussed Russian music in terms of its Russianness long enough. A short history and analysis of that discourse, its double standards and its contradictions, is given, focusing on the seminal writings of Vladimir Stasov, and an account of its migration westward, at first through the writings of Rosa Newmarch. The article ends with a call for de-exoticizing Russian music in the discourse of musicology.</jats:p>
Palabras clave: Music.
Pp. 132-143
Tchaikovsky, Psychology, and Nationality: A View from the Archives
Russian Anthology
Palabras clave: Music.
Pp. 144-161