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19th-Century Music

Resumen/Descripción – provisto por la editorial en inglés
19th-Century Music publishes articles on all aspects of music having to do with the "long" nineteenth century. The period of coverage has no definite boundaries; it can extend well backward into the eighteenth century and well forward into the twentieth. Published tri-annually, the journal is open to studies of any musical or cultural development that affected nineteenth-century music and any such developments that nineteenth-century music subsequently affected. The topics are as diverse as the long century itself. They include music of any type or origin and include, but are not limited to, issues of composition, performance, social and cultural context, hermeneutics, aesthetics, music theory, analysis, documentation, gender, sexuality, history, and historiography.
Palabras clave – provistas por la editorial

No disponibles.

Disponibilidad
Institución detectada Período Navegá Descargá Solicitá
No detectada desde jul. 1977 / JSTOR

Información

Tipo de recurso:

revistas

ISSN impreso

0148-2076

ISSN electrónico

1533-8606

Editor responsable

University of California Press

País de edición

Estados Unidos

Fecha de publicación

Cobertura temática

artes

Artes

Tabla de contenidos

doi: 10.1525/ncm.2001.25.2-3.155

Beethoven's Opus 131 and the Uncanny

Joseph Kerman

Palabras clave: Music.

Pp. 155-164

doi: 10.1525/ncm.2001.25.2-3.165

Enshrining Mozart:Don Giovanniand the Viardot Circle

Mark Everist

Palabras clave: Music.

Pp. 165-189

doi: 10.1525/ncm.2001.25.2-3.190

Contesting Wagner: TheLohengrinPrelude and Anti-anti-Semitism

Lawrence Kramer

Palabras clave: Music.

Pp. 190-211

doi: 10.1525/ncm.2001.25.2-3.212

The Ecstasy and the Agony: Exploring the Nexus of Music and Message in the Act III Prelude toDie Meistersinger von Nürnberg

Michael Puri

Palabras clave: Music.

Pp. 212-236

doi: 10.1525/ncm.2001.25.2-3.237

Fervaal, Parsifal, and French National Identity

Anya Suschitzky

Palabras clave: Music.

Pp. 237-265

doi: 10.1525/ncm.2001.25.2-3.266

Edwardian Perspectives on Nineteenth-Century Music in E. M. Forster'sA Room with a View

Michelle Fillion

Palabras clave: Music.

Pp. 266-295

doi: 10.1525/ncm.2001.25.2-3.296

Reger's Bach and Historicist Modernism

Walter Frisch

Palabras clave: Music.

Pp. 296-312

doi: 10.1525/ncm.2001.25.2-3.313

A"Very German Process": The Contexts of Adorno's Strauss Critique

Richard Wattenbarger

Palabras clave: Music.

Pp. 313-336

doi: 10.1525/ncm.2001.25.2-3.337

Berlioz, Lately

D. Kern Holoman

Palabras clave: Music.

Pp. 337-346

doi: 10.1525/ncm.2001.25.2-3.347

Comment & Chronicle

Palabras clave: Music.

Pp. 347-347