Catálogo de publicaciones - revistas
Visual Communication
Resumen/Descripción – provisto por la editorial en inglés
Visual Communication is a quarterly, peer-reviewed academic journal publishing top research in visual studies. It welcomes contributions from scholars in anthropology, sociology, history and scientific research. Articles cover still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; and the role of the visual in relation to language, music, sound and action.Palabras clave – provistas por la editorial
No disponibles.
Disponibilidad
| Institución detectada | Período | Navegá | Descargá | Solicitá |
|---|---|---|---|---|
| No detectada | desde feb. 2002 / hasta dic. 2023 | SAGE Journals |
Información
Tipo de recurso:
revistas
ISSN impreso
1470-3572
ISSN electrónico
1741-3214
Editor responsable
SAGE Publishing (SAGE)
País de edición
Estados Unidos
Fecha de publicación
2002-
Cobertura temática
Tabla de contenidos
Image substitutes and visual fake history: historical images of atrocity of the Ukrainian famine 1932–1933 on social media
Ekatherina Zhukova
<jats:p> This article analyses how pre-internet historical images of atrocity are used on social media in the era of misinformation, disinformation and a rising radical right. Combining scholarship in cultural sociology, media studies and communication, and history, the article introduces two concepts: image substitute and visual fake history. Image substitute is an image of an historical event from a particular time or place, which is used to represent a tragedy from a different decade or geographical location. Visual fake history is a combination of truth, misinformation and disinformation about past events through reliance on historical images as image substitutes and accompanying narratives. These concepts are developed empirically on the basis of images representing the Ukrainian famine of 1932–1933, circulated on Instagram under #holodomor between 2012–2018. It is shown that the Ukrainian famine was visualized through images of Soviet and South Asian famines and the Holocaust, which were embedded in anti-communist and anti-Semitic narratives. </jats:p>
Palabras clave: Visual Arts and Performing Arts; Communication.
Pp. 3-27
Rethinking patient–provider care through visual communication
Stacy Elko; John A Velez; Melinda Corwin; Justin Robert Keene
<jats:p> The case study presented in this article developed an improved intervention for visually communicating with persons diagnosed with a communication disorder known as aphasia. The Visual Interactive Narrative Intervention (VINI) assists health-care providers in educating post-stroke persons with aphasia (PWA) about their stroke, symptoms, rehabilitation options, and quality of life issues. Visual communication is under-utilized to convey health information to PWA despite its ability to capitalize on their intact cognitive and visual processing. The current Reflections on Practice summarizes visual guidelines from previous research, discusses visual design principles to achieve these guidelines, and presents a case study of creating visual stimuli for PWA based on these considerations and initial pilot testing with PWA. The case study demonstrates the creative process, the visual design considerations, and the interdisciplinary effort (i.e. health professionals, artists, and communication scholars) necessary for visually communicating with PWA. </jats:p>
Palabras clave: Visual Arts and Performing Arts; Communication.
Pp. 176-192