Catálogo de publicaciones - revistas

<jats:p> This essay addresses how digital and interactive media scholars might adapt the concept of affordances in relation to Stuart Hall’s canonical ‘Encoding/Decoding’ model to better account for how certain types of interactivity are promoted or discouraged by new technologies and platforms. In particular, Shaw looks at how the perceptible, hidden, and false affordances of designed objects intersect with Hall’s dominant/hegemonic, negotiated, and oppositional reading positions. Merging these theories allows scholars to approach the political implications of audience activities with these technologies in new and more nuanced ways. </jats:p>

<jats:p> Since the election of Donald Trump as president of the United States, an intense debate has developed around the connection between social media and populist movements. In this article, I put forward some theses about the reasons for the apparent ‘elective affinity’ between social media and populism. I argue that the match between social media and populist politics derives from the way in which the mass networking capabilities of social media, at the time of a ‘mass web’ involving billions of people worldwide, provide a suitable channel for the mass politics and the appeals to the people typical of populism. But this affinity also needs to be understood in light of the rebellious narrative that has come to be associated with social media at times in which rapid technological development has coincided with a profound economic crisis, shaking the legitimacy of the neoliberal order. This question is explored by examining the role acquired by social media in populist movements as the people’s voice and the people’s rally, providing, on the one hand, with a means for disaffected individuals to express themselves and, on the other hand, with a space in which disgruntled Internet users could gather and form partisan online crowds. </jats:p>

<jats:p>Indymedia was born of the anti-globalisation movement of the late 1990s and quickly spread to become a social movement in its own right. This article reflects on how prescient the claims of the anti-globalisation movement have proven to be and how 20 years ago Indymedia and the anti-globalisation movement predicted there was trouble ahead and that neoliberalism was a central part of the problem. It notes how a history of struggle and protest emanating from the days of Indymedia has developed over time building a counter-politics that is becoming ever wiser about the multiple intersectional harms of capitalism and ever more sophisticated in its political response. The challenge is what comes next.</jats:p>

<jats:p> Research exploring digital intimate publics tends to consider social media platforms and dating/hook-up apps separately, implying distance between social and sexual communication practices. This paper troubles that delineation by drawing on LGBTQ+ young people’s accounts of negotiating safety and risk in dating/hook-up apps, in which friendship practices are significant. We explore four key themes of friendship that arose in our analysis of interviews and workshop discussions: sharing mutuals (or friends-in-common) with potential dates/hook-ups; making friends through apps; friends supporting app negotiations; and friends’ involvement in safety strategies. Through analysis of these data, we firstly argue that friendship is often both an outcome and an organising force of LGBTQ+ young people’s uses of dating/hook-up apps, and secondly, that media sites commonly defined as social (e.g. Instagram) or sexual (e.g. Tinder) are imbricated, with friendship contouring queer sex and dating practices. </jats:p>

<jats:p> This essay reviews the works ‘Television and the Afghan Culture Wars’ (University of Illinois Press) by Wazhmah Osman and ‘Media Imperialism in India and Pakistan’ (Routledge) by Farooq Sulehria as recent contributions to the fields of global and comparative media studies. It considers the overlapping themes in these works through ruberics of media imperialism and development in terms of growth of television industry in India, Pakistan and Afghanistan in the broad context of globalization and transnational media flows. </jats:p>

<jats:p> Media agencies have become one of the key actors in the contemporary media industry: by channelling marketing budgets to some media and some platforms and not to others, media agencies play an important role in creating the digital media infrastructure and laying the tracks of the public sphere. Yet we know very little about these commercial middlemen between advertisers and audiences, what they do, and how we should understand their role in the digital media ecology. This article discusses the role of media agencies in relation to platformization with a focus on the news media sector. Based on interviews, publicly available material and trade journals, the article depicts an industry deeply engaged in digitizing, tracking and commodifying media audiences, while at the same time aware of ethical challenges of the digital media infrastructure. This leads to a call for more political attention and critical research on the democratic implications of the new value chains between platforms, advertisers, audiences, media agencies and news media as well as the many tech companies providing derived digital services and products. </jats:p>

<jats:p> This article examines the Japanese biometrics industry and its discourse, with a focus on the language of biometric ‘sensing’ that has shaped its development over the past two decades. Rooted in the ubiquitous computing boom of the early 2000s, the language of sensing reimagines biometric technology as a mediator between the digital and the human, laying the foundation for biometric surveillance’s expansion into everyday settings such as retail ones. In these newer settings, biometric surveillance is promoted as a means for collecting data on human affect and behavior to be used for marketing and other applications. I argue that this growing ambiguity of biometric surveillance re-articulates a convergence between production and consumption, while it also informs safe society discourses and the shifting role of embodiment within digital culture. </jats:p>

<jats:p> This article uses Acker’s concept of inequality regimes to analyze qualitative research findings on work-life balance and gender equality for women in British television production. Female survey respondents, focus group participants, and interviewees spoke of their subjective experience of gendered work practices which disadvantage women as women. These findings build on existing research showing gender disadvantage in the industry, leading to loss of human capital and a narrowing of the range of creative experience. They also show that growing numbers of women are seeking alternative modes of production, at a time of increased awareness of inequality. Such alternatives suggest that change is possible, although it is strongly constrained by organizational logics and subject to continued resistance, in line with Acker’s framework of analysis. Visibility of inequalities is the key to supporting change. </jats:p>

<jats:p> The rise of user-generated content (UGC), such as internet memes and amateur videos, enables new possibilities for mediatization of the past. However, these possibilities can facilitate not only more diverse and less top-down engagements with memory, but also lead to its trivialization and distortion of historical facts. The latter concerns are particularly pronounced in the case of memories about mass atrocities (e.g. the Holocaust), where online media are often used to promote denialism and attack the victims’ dignity. To better understand the relationship between UGC and memory mediatization, we examine a selection of internet memes dealing with Anne Frank, an iconic Holocaust victim. Using a combination of inductive content analysis and close reading, we identify four classes of Anne Frank memes: (1) ad hominems; (2) deniers; (3) trivializers; and (4) thought provokers. Our findings demonstrate the multi-faceted functionality of memes, which are used not only to trivialize Holocaust memory, but also to reinforce canonical narratives about Anne Frank, and highlight the dependency of memes on other forms of memory mediatization, thus raising questions about the interrelations between UGC and institutionalized forms of remembrance. </jats:p>