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Palabras clave – provistas por la editorial

Music history; Late Middle Ages; musical repertories; music patronage; ritual; identity; awareness of time; Trent codices; Hermann Poetzlinger; mensural codex St. Emmeram; England; John Dunstaple; Guillaume Dufay; Gilles Binchois; Central Europe; Vienna; Hermann Edlerawer; Urbanus Kungsperger; Johannes Brassart; Johannes de Sarto; Frederick III (IV) of Habsburg; Albert II (V) of Habsburg; Rudolf Volkhardt; Petrus Wilhelmi de Grudencz; Bohemia; Veneto; motet; devotional motet; genre transformation; Marian devotions; musical iconography; chapel; Sangvers; Oswald von Wolkenstein; Hugo von Montfort; Michel Beheim; Heinrich der Teichner; Peter Suchenwirt; Monk of Salzburg; Liebhard Eghenvelder; Neidhart (Nithart); Austrian National Library; University of Vienna; Council of Constance; Council of Basle; Nibelungenlied; Johannes Lupi; Johannes Wiser; Johannes Prenner; Regensburg; St Stephen; St Martin; Jan Hus; isorhythmic motet; Ghent altarpiece; Jan van Eyck; Hubert van Eyck; Musikgeschichte; Polyphony