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Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun

Parte de: Michigan Monograph Series in Japanese Studies

Resumen/Descripción – provisto por la editorial

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Palabras clave – provistas por la editorial

Suzuki Seijun, Nikkatsu, yakuza, 1960s cinema, film theory, diegesis, diegetic, classical cinema, studio system, exploitation, Japanese film, gangster movies, popular genre, aesthetics, global cinema, Japanese cinema, post-war cinema, negation, auterism, auteur, film director, New Left, New Wave, cult film, genre film, prostitution, Japanese New Wave, nuberu bagu, hard-boiled, film noir, Classical Hollywood cinema, film and philosophy, film and philsoophy, avant-garde cinema

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libros

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Estados Unidos

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