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Palabras clave – provistas por la editorial

Late Cycladic I; brominated indigoids; Muricidae; murex; purpurissum; true purple; microRaman; FTIR; HPLC–DAD; weld lake pigments; yellow lakes; luteolin; 19th century; Winsor & Newton; conservation; Liu Kang; SEM-EDS; MA-XRF; IRFC; X-RAY; RTI; hidden paintings; pigments; synthetic organic pigments; royal talens; handheld raman spectroscopy; microraman spectroscopy; modern artist oil paint; urolithin C; brazilein; brazilwood marker component; historical textile; alteration; cadmium orange; chlorine; selenium; terracotta; maize stem; New Spain; computerized tomography; Raman; SEM-EDX; Mexican sculpture; polychrome sculpture; Maria Sibylla Merian; colored prints; hyperspectral imaging; X-ray fluorescence spectroscopy; photometric stereo; Prussian blue; non-invasive pigment characterization; textiles; dyes; Peru; ambient ionization mass spectrometry; DART-MS; paper spray MS; HPLC; non-invasive techniques; FORS; XRF; illuminated manuscripts; brazilwood; colourants; Antoine de Lonhy; Torino; reflectance spectroscopy; SERS; synthetic dyes; Tholu Bommalata; puppets; pigment identification; Raman spectroscopy; scanning electron microscopy-energy dispersive spectroscopy; microstratigraphic analysis; Viking Age; dyestuff; HPLC-DAD-MS; aragonite; Brunswick green; clinochlore; mortars; ultramarine yellow; vermilion; wall paintings; XRD; Henri Matisse; cut-outs; gouache; Pigment identification; light sensitivity; X-ray fluorescence spectroscopy (XRF); Fourier transform infrared spectroscopy (FTIR); microfaedometry (MFT); n/a