Catálogo de publicaciones - revistas
Art History
Resumen/Descripción – provisto por la editorial en inglés
Art History is an international forum for peer-reviewed scholarship and innovative research. Founded in 1978, the journal publishes essays, critical reviews, and special issues that engage with path-breaking new developments and critical debate in current art-historical practice. Art History covers all kinds of art and visual culture across all time periods and geographical areas. The journal welcomes contributions from the full spectrum of methodological perspectives, and is a forum for a wide range of historical, critical, historiographical and theoretical forms of writing. By means of this expanded definition, Art History works to transform and to extend the modes of enquiry that shape the discipline.Palabras clave – provistas por la editorial
Architecture; art; art history; decorative arts; design; film; historiography; history; painting; ph
Disponibilidad
| Institución detectada | Período | Navegá | Descargá | Solicitá |
|---|---|---|---|---|
| No detectada | desde ene. 1997 / hasta dic. 2023 | Wiley Online Library |
Información
Tipo de recurso:
revistas
ISSN impreso
0141-6790
ISSN electrónico
1467-8365
Editor responsable
John Wiley & Sons, Inc. (WILEY)
País de edición
Reino Unido
Fecha de publicación
1978-
Cobertura temática
Tabla de contenidos
That Monster Over There: Silvia Kolbowski, Trump, and Allegory
Ivan Knapp
<jats:p>This essay considers the ways in which Silvia Kolbowski's 2018 video <jats:italic>That Monster: An Allegory</jats:italic> addresses the psychical and political basis of Donald J. Trump's appeal in the 2016 US election. The video is crafted out of a collection of fragments from James Whale's 1935 <jats:italic>The Bride of Frankenstein</jats:italic>, which Kolbowski plays first with a score by Philip Glass and then in silence. This article asks how such a format might illuminate resonances between certain psychoanalytic concepts and the postmodernist discourse of allegory as exemplified in the work of Paul de Man and Craig Owens. I argue that these theoretical frameworks help us to retain an open reading of Kolbowski's allegory which shifts an interpretive focus from questions of identity to problems of repetition, refusal, and erasure.</jats:p>
Palabras clave: Visual Arts and Performing Arts.
Pp. No disponible